PHOTOGRAPHY/3D DESIGN:
SKINSUIT ‘SILHOUETTE’ CAMPAIGN
SKINSUIT
2024, Lightroom, Photoshop, Blender
SKINSUIT ‘SILHOUETTE’ CAMPAIGN
SKINSUIT
2024, Lightroom, Photoshop, Blender
This campaign was conceived as a study of movement, space, and freedom, using dance as a universal language to express the Skinsuit philosophy around health, expression, and physical joy.
Rather than placing the model into a real location, I created a custom Skinsuit studio environment which acted as a controlled, considered space designed to remove distraction and let movement, form, and energy take centre stage.
The model’s self-choreographed contemporary dance became the foundation of the project, allowing the imagery to feel instinctive and human rather than performative.
I photographed and styled the shoot to capture fluid motion and interesting forms, before integrating the subject into a large, open 3D studio inspired by classic wooden training spaces.
The custom parquet floor, built from Skinsuit-branded wooden tiles, and the tailored studio equipment were designed to subtly embed brand identity into the architecture itself, making Skinsuit part of the environment rather than just an overlay.
By combining photography with 3D stills and looping animations, the campaign builds a cohesive digital world that rewards attention and invites exploration.
Each asset contributes to a shared spatial narrative, optimised for social platforms while maintaining depth and consistency.
The project demonstrates my thought process behind unifying photography, 3D design, animation, lighting, colour, and curation into a singular creative system that extends a brand universe beyond garments and into lived, expressive space.
SELECT THE CONTENT TO EXPLORE MORE
Rather than placing the model into a real location, I created a custom Skinsuit studio environment which acted as a controlled, considered space designed to remove distraction and let movement, form, and energy take centre stage.
The model’s self-choreographed contemporary dance became the foundation of the project, allowing the imagery to feel instinctive and human rather than performative.
I photographed and styled the shoot to capture fluid motion and interesting forms, before integrating the subject into a large, open 3D studio inspired by classic wooden training spaces.
The custom parquet floor, built from Skinsuit-branded wooden tiles, and the tailored studio equipment were designed to subtly embed brand identity into the architecture itself, making Skinsuit part of the environment rather than just an overlay.
By combining photography with 3D stills and looping animations, the campaign builds a cohesive digital world that rewards attention and invites exploration.
Each asset contributes to a shared spatial narrative, optimised for social platforms while maintaining depth and consistency.
The project demonstrates my thought process behind unifying photography, 3D design, animation, lighting, colour, and curation into a singular creative system that extends a brand universe beyond garments and into lived, expressive space.
SELECT THE CONTENT TO EXPLORE MORE